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Where has the passion gone?

By NickyB on November 26,2006

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It seems to me, these days, that the independent music generation has moved from its long time home on the college campuses and coffee houses, to the halls of your local high school. Generally, this transition and growth would be welcomed with open arms, but much like many other things, it seems that  the younger generation doesnt share the same respect and appreciation of those who have been around the block.

As a long time musician and independent music fan, now in my 20's, I must have fallen into the category of being "old school". You see, in my time as a struggeling musician, bands and music fans alike didn't take for granted the oppurtunities they were given. I remember a time where my band was one of less than a handful in our region of 250,000 people. Now, it seems that every garage in my area is home to the next band to hit the streets with big egos and a strong lack of respect.

I remember countless trips on the road with my band, that involved nine hour drives and one hour sets, in which afterwards we would count out our fifty dollar pay right before falling asleep in the back of our van in a hotel parking lot.

Today, as a live music venue owner, I receive dozens of calls and e-mails a day, from some band of local high school kids, asking for a show date with a two hundred dollar pay check! That wouldn't be a problem if the band wasn't only in the midst of booking their third show to date, and only drawing their five best friends and girlfriends as their on looking crowd. What happened to the passion?

What ever happened to playing music for the love of the music. I feel that because a number of great, hardworking bands have been rewarded with a mainstream audience, after 5 years of touring and promotions, that the youth feel there is some shortcut to success.

Call me old fashioned, but in all my years as a touring musician, I never once took for granted the oppurtunities I was given. I never once refused a show, not matter how far or how much I was being paid. I took each oppurtunity as a gift, because I knew the real value in what I was doing... Sharing my music with anybody I could.

The worse part in all of this is, independent music isn't thriving from this new fluctuation in demographics, like a bad disease it's only spreading the wrong way until it has effected everything good that once was. Nothing will change until those involved step back and start appreciating what they have instead of what they think they should have... Or, Im just that old school.

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comment Comments (1 posted)
  • image I do agree with some of what you say, disagree with other things. In point: 1. High schools are not burgeoning meccas of great music, never have been and I doubt if they ever will. That setting is for the advancement of the knowledge of music, not necessarily in theory but in the introduction to the subject. These young people do not have the abilities nor the experience to make it in a profession that others would cut their throat to succeed in. No, they do not respect the founders of certain music styles and for that I have to place some of the blame on unscrupulous record companies that give us watered down commercial sounds that they believe will sell millions of CD that we really do not want to hear....at least I do not. 2. You are "old school" at the age of less than 30 years old... you may think so with a clear conscience but I'm sorry, somebody at that age hasn't had enough life experience to make a claim of that. "Old school" doesn't mean that you love classic music, it means that you have seen enough of life that when you take into consideration that different styles of music that intrigues some people, will not garner attention from others. You must try to find the good in every band / musician/ performer that has a fresh sound as a link to those classics. I am not bashing you, just attempting to say that your views may change over time until you are steadfast in those opinions. Only time will tell...however you do seem to have a good grasp of what you are trying to relate in your opinions. 3. The matter of what bands should be paid... that is strictly up to the individual bands I guess. Your band travelled a long way to get paid for gas money, you may have shortchanged yourselves or possibly may of thought that this was all your band deserved. Others that charge more to perform may have a alternate mindset than you. With only three shows under their belt, they may be a bit delusional about their importance to the music environment of the area, but in my estimation 200 dollars isn't really over the norm. Worth the 200? Doubt it, but at least give them the credit to make a stand and say that this would be the minimum for which they will provide their services. I do not discount the passion, I discount the ability to draw a crowd that would be the basis for them to charge that amount. 4. Musicians now days want everything handed to them without having to work for it or "pay their dues". I agree with that statement, but that is indicative to the way kids see the world now. They do not want to invest the time to learn the basic theories behind the sounds they are producing. Anyone can play the notes with some practice but it takes a true professional to understand how those songs were constructed, experimentation into different avenues of change of those notes to put one's own stamp on that style and the ability to listen when criticism is warranted and using that for the greater good. I would be considered an oldtimer to you ... turned 50 yesterday... but I do understand the frustration you feel. I have been either in or around the music field for the last 35 years whether it being a musician, a music magazine owner/editor, promoter, venue owner, or writer. It never gets easier...something for you to look forward to. LOL Thank you for your insight and opinions of this matter and I hope that my comments weren't too harshly received.
    (Posted by Timothy PIckett, December 7, 2006, 2:12 PM)

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Kamuela Kaneshiro or “Kamu” was born and raised in Honolulu, Hawaii. Kamu has been working in the film industry since 1999. Kamu worked on projects like “Baywatch: Hawaii”, “North Shore” and “Lost”. So far his favorite project was “Pearl Harbor” where he was Jerry Bruckheimer’s assistant. Along with being a professional scriptwriter for movies and television shows he is also an independent filmmaker. Kamu can be heard on “Off the Air’s Geek Nation” a weekly 3-hour comedy talk show.

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